For The Stranger: Saturday, July 19th, 2008
It is entirely our luck that the artist Jim Hodges was born in Spokane (in 1957). It means that his work keeps finding its way back here to Washington. Last summer, he was the anchor of the Tacoma Art Museum group show Sparkle Then Fade. That exhibition included his intense, simple Coming Through (seen above), which I wrote about at the time.
Jim Hodges’s 1999 Coming Through is the beating heart of the show. It’s a grid of naked lightbulbs of all types, struggling not to burn out as the exhibition wears on. They generate a cloud of heat along with the various colors of light—golden, cold marble, orange coil. Coming Through might refer to something otherworldly, or maybe it’s simply the longing sensation of hoping not to be disappointed.
So it was with great joy that I got a press release today announcing a Hodges-Storm Tharp show this summer in Spokane, of all places. Seems that last fall, a new nonprofit contemporary art gallery opened in Spokane called Saranac Art Projects. It’s run by Megan Murphy, an accomplished abstractionist whose work has grabbed me every time I’ve seen it (I think the last time was at Maryhill Museum!).
Here’s the skinny:
Abandon: The Work of Jim Hodges and Storm Tharp
Saranac Art Projects is pleased to announce the opening of Abandon: The Work of Jim Hodges and Storm Tharp on Wednesday, July 16th. The exhibition will run from July 16th through September 6th, 2008. The exhibition highlights the relationship between two artists who have abandoned traditional means of making art to find their own process in the loss of tradition.
Tharp isn’t a connection I would have made with Hodges, but the more I think of it, the more interesting I think it might be. Also, as an adjunct to this main exhibition is a series of works by
Heidi Arbogast, an art educator at the Northwest Museum of Arts and Culture in Spokane who studied with Felix Gonzalez-Torres. (FG-T and Hodges were close friends.) It all sounds worthwhile to me. I leave you with a Tharp (The Dalles, ink on paper from 2006).